À propos
DREW MCDOWALL
Scottish experimental/electronic musician Drew McDowall's lifelong interest in an elegiac solo bagpipe style called pibroch (ceòl mòr in Gaelic) has been an inspiration for much of his previous work, including Coil’s legendary Time Machines. This traditional form, often used for laments and tributes to the dead, fuses modal drones with flickering dissonance and plaintive melodies, evoking an ancient, solemn mood.
His latest work, A Thread, Silvered and Trembling, both incorporates and transforms these elements through exploratory electronic processing, weaving an electro-acoustic tapestry of strings, shudders, voids, and voices, alternately disembodied and displaced. Co-produced with engineer Randall Dunn at Circular Ruin Studios in Brooklyn, the collection’s four pieces capture McDowall at his most elevated and elusive, in thrall to “the ineffable – that which refuses to be spoken.”
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À propos
DREW MCDOWALL
Scottish experimental/electronic musician Drew McDowall's lifelong interest in an elegiac solo bagpipe style called pibroch (ceòl mòr in Gaelic) has been an inspiration for much of his previous work, including Coil’s legendary Time Machines. This traditional form, often used for laments and tributes to the dead, fuses modal drones with flickering dissonance and plaintive melodies, evoking an ancient, solemn mood.
His latest work, A Thread, Silvered and Trembling, both incorporates and transforms these elements through exploratory electronic processing, weaving an electro-acoustic tapestry of strings, shudders, voids, and voices, alternately disembodied and displaced. Co-produced with engineer Randall Dunn at Circular Ruin Studios in Brooklyn, the collection’s four pieces capture McDowall at his most elevated and elusive, in thrall to “the ineffable – that which refuses to be spoken.”