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Biographie
ADULT. is an American band from Detroit, Michigan, formed in 1998 by art photographer Nicola Kuperus and painter Adam Lee Miller. The band integrates vocals with drum machines, analog synthesizers and electronic/punk elements.
Miller and Kuperus are also the founders of the renowned Ersatz Audio record label. ADULT. have remixed other artists, most notably Felix da Housecat, Fischerspooner, Ladytron, A Number of Names, The Faint, Erase Errata and Bis.
After a quarter century of nearly nonstop activity, dystopian Detroit synth-punk institution ADULT. have perfected a strain of stylistic cohesion in the album format, “but for this we wanted something that’s falling apart.” Becoming Undone, the 9th official full-length by co-founders Nicola Kuperus and Adam Lee Miller, explicitly succeeds in this aim, simultaneously rejecting and reflecting the planetary discord that inspired it. Reconnecting with legacy influences like the politicized industrial percussion of Test Department and the queasy miscreant synthetics of TG’s 20 Jazz Funk Greats sparked a series of fruitfully frenetic sessions, centered on themes of impermanence and dissonance. Miller’s rationale is blunt: “We weren’t interested in melody or harmony since we didn’t see the world having that.”
Biographie
ADULT. is an American band from Detroit, Michigan, formed in 1998 by art photographer Nicola Kuperus and painter Adam Lee Miller. The band integrates vocals with drum machines, analog synthesizers and electronic/punk elements.
Miller and Kuperus are also the founders of the renowned Ersatz Audio record label. ADULT. have remixed other artists, most notably Felix da Housecat, Fischerspooner, Ladytron, A Number of Names, The Faint, Erase Errata and Bis.
After a quarter century of nearly nonstop activity, dystopian Detroit synth-punk institution ADULT. have perfected a strain of stylistic cohesion in the album format, “but for this we wanted something that’s falling apart.” Becoming Undone, the 9th official full-length by co-founders Nicola Kuperus and Adam Lee Miller, explicitly succeeds in this aim, simultaneously rejecting and reflecting the planetary discord that inspired it. Reconnecting with legacy influences like the politicized industrial percussion of Test Department and the queasy miscreant synthetics of TG’s 20 Jazz Funk Greats sparked a series of fruitfully frenetic sessions, centered on themes of impermanence and dissonance. Miller’s rationale is blunt: “We weren’t interested in melody or harmony since we didn’t see the world having that.”