Biographie
After two years in the making, the band seals their long-awaited return in 2025 with the highly anticipated narrative sequel to “āl bēlūti dārû”: zamāru ultu qereb ziqquratu Part 1 (Music from inside the Ziggurat); is the first chapter of a set of 2 concept albums in which the band deepens its exploration of ancient Babylon with an almost mythical approach through the eyes of the exiled captives from Jerusalem.
Featuring contributions from 7 international collaborators, zam ru ultu qereb ziqquratu is poised to become one of the most ambitious projects in the doom scene in terms of production & conception and will be released by the finest label in the genre: Heavy Psych Sounds.
The album pushes sonic boundaries by featuring two drummers recorded simultaneously, creating the immersive effect of distant crowds. An eclectic mix of instruments, including the saz, viola, sitar, and bugle, blend with both analog and digital elements to enrich the soundscape. A nod to Turkish composer Fazıl Say is also present, with a quotation from his symphony Mesopotamia.
Prochains concerts
Biographie
After two years in the making, the band seals their long-awaited return in 2025 with the highly anticipated narrative sequel to “āl bēlūti dārû”: zamāru ultu qereb ziqquratu Part 1 (Music from inside the Ziggurat); is the first chapter of a set of 2 concept albums in which the band deepens its exploration of ancient Babylon with an almost mythical approach through the eyes of the exiled captives from Jerusalem.
Featuring contributions from 7 international collaborators, zam ru ultu qereb ziqquratu is poised to become one of the most ambitious projects in the doom scene in terms of production & conception and will be released by the finest label in the genre: Heavy Psych Sounds.
The album pushes sonic boundaries by featuring two drummers recorded simultaneously, creating the immersive effect of distant crowds. An eclectic mix of instruments, including the saz, viola, sitar, and bugle, blend with both analog and digital elements to enrich the soundscape. A nod to Turkish composer Fazıl Say is also present, with a quotation from his symphony Mesopotamia.